分类号J22密级公开
UDC 741编号10299Y2020018
JIANGSU UNIVERSITY
专业学位硕士学位论文
Professional degree master's Thesis
明清时期赵孟頫绘画鉴藏风尚的嬗变
THE TRANSMUTATION OF ZHAO MENGFU'S PAINTING STYLE
DURING THE MING AND QING DYNASTIES
作者姓名姚志远
指导教师张同标职称教授
申请学位级别硕士专业名称艺术品鉴藏与市场研究
论文提交日期2023.4.26论文答辩日期2023.5.26
学位授予单位和日期江苏大学2023.6
Classified Index:J22
UDC:741
Professional degree master's Thesis
THE TRANSMUTATION OF ZHAO MENGFU'S PAINTING STYLE
DURING THE MING AND QING DYNASTIES
By Yao zhiyuan
Major:Art appreciation collection and market research
Supervisor:Prof.Zhang Tongbiao
Jiangsu University
May,2023
江苏大学硕士学位论文
摘要
赵孟頫绘画在明清时期的鉴藏流传分为三个阶段，第一阶段是从元末到明吴门画派
时期，文人阶层多表现出以满足精神审美与情感寄托为目的的赏鉴与收藏。第二阶段是
从明吴门画派到明末清初时期，赵孟頫的绘画在其“古意”美学理念的影响下受到各个
阶级的喜爱。第三阶段自清代开始，文人士大夫以及皇室对赵氏绘画的推崇，形成从上
而下皆将赵孟頫的绘画视为珍宝的现象。首先是赵孟頫的绘画藏品在经历由元入明时期，
对社会的环境背景，皇室与民间的收藏情况，时人对赵孟頫绘画的鉴赏品评情况进行梳
理，呈现这一时期赵孟頫绘画的鉴藏风尚。步入明代中期，经济环境复苏，审美趣味和
艺术理念都发生了一定的变化，对赵氏绘画的接受、学习、收藏等方面进行研究，主要
集中在赵孟頫绘画理念“古意”论产生的影响下，来发掘赵孟頫绘画在明代中期备受推
崇的原因和特点。清代时人对赵孟頫绘画鉴藏风尚，主要从清代皇室的审美品味、画坛
复古之风的兴起、内府的收藏活动等方面进行探讨，赵孟頫绘画在清代颇受推重，形成
了无关真伪的趋赴收藏情况，并表现出“世甚珍秘”的鉴藏特点。
关键词：赵孟頫；绘画；鉴藏；
I
江苏大学硕士论文
Abstract
The circulation of Zhao Mengfu's paintings in the Ming and Qing dynasties was divided
into three stages,the first stage was from the late Yuan to the Ming and Wumen school
periods,and the literati class mostly showed appreciation and collection for the purpose of
satisfying spiritual aesthetics and emotional sustenance.The second stage,from the Ming
Wumen School to the late Ming and early Qing dynasties,Zhao Mengfu's paintings were
loved by all classes under the influence of his "ancient meaning"aesthetic concept.In the
third stage,since the Qing Dynasty,literati and doctors and the royal family have respected
Zhao's paintings,forming a phenomenon in which Zhao Mengfu's paintings are regarded as
treasures from top to bottom.First of all,Zhao Mengfu's painting collection experienced the
social environmental background,the collection of the royal family and the people during the
Yuan and Ming Dynasties,and the appreciation and evaluation of Zhao Mengfu's paintings at
that time,presenting the collection style of Zhao Mengfu's paintings during this period.In the
middle of the Ming Dynasty,the economic environment recovered,aesthetic taste and artistic
concepts have undergone certain changes,the acceptance,learning,collection and other
aspects of Zhao paintings,mainly focusing on the influence of Zhao Mengfu's painting
concept "ancient meaning"theory,to explore the reasons and characteristics of Zhao
Mengfu's paintings in the middle of the Ming Dynasty.In the Qing Dynasty,people mainly
discussed the collection style of Zhao Mengfu's paintings,mainly from the aesthetic taste of
the Qing royal family,the rise of retro style in the art world,and the collection activities of
the inner house.
Key words：Zhao Mengfu;Painting;Collection;
II
江苏大学硕士学位论文
目录
摘要.......................................................................I
Abstract ...................................................................Ⅱ
绪论.......................................................................1
第一节选题目的和研究意义................................................1
第二节研究方法..........................................................1
第三节研究现状..........................................................2
第一章寄情书画：明初赵孟頫绘画的鉴藏风尚...................................6
第一节明初皇室对赵孟頫绘画的鉴与藏......................................6
第二节明初民间对赵孟頫绘画的鉴赏观念....................................9
第三节明初民间对赵孟頫绘画的收藏.......................................13
本章小结................................................................16
第二章依托古意：明代中后期赵孟頫绘画的鉴藏风尚............................17
第一节明代中期赵孟頫绘画的鉴赏观念......................................17
第二节明代中后期赵孟頫绘画的收藏.......................................23
第三节明代后期赵孟頫绘画鉴藏观念的起伏..................................26
本章小结................................................................31
第三章世甚珍秘：清代赵孟頫绘画的鉴藏风尚..................................32
第一节清代皇室对赵孟頫绘画的鉴与藏......................................32
第二节清代前期民间对赵孟頫绘画的鉴与藏..................................35
第三节清代中后期赵孟頫绘画的鉴与藏......................................39
本章小结................................................................44
结论.......................................................................45
参考文献...................................................................47