本文是以研究生毕业独唱音乐会策划案进行研究的。音乐会演唱实践对于 声乐方向的研究生意义重大。首先，相关文件要求规定，美声唱法，语言方面 需要涵盖三种及三种以上的语言，声乐作品方面要求涵盖歌剧选段、艺术歌曲 以及重唱作品等，本场音乐会涵盖了四种语言，选曲是严格按照规章制度制定 的作品。在三年的研究生学习期间举办两场音乐会，这无疑是对自身专业的肯 定。其次，通过音乐会实践，加强了自身的专业素质，在演唱作品、歌剧人物 塑造、以及舞台表现力等各个方面得到飞速的进步；最后，对于实践音乐会中 的不足之处，以及准备音乐会时遇到的难点等问题作深刻总结，从而加强自己 薄弱的声乐演唱能力，提高整体的舞台表现力及声乐表演艺术的综合素质等。 关键词，音乐会策划 演唱作品 舞台表现II Abstract This article is based on the master solo concert plan. The practice of concert singing is of great significance for graduate students studying the direction of vocal music. Firstly, the relevant documents require that the bel cantos and linguistic aspects need to cover three or more languages. The requirements for vocal music include opera selections, art songs, and re-enactment works. This concert covers four languages. The songs are selected strictly based on the rules and regulations. Two concerts were held during the three years of graduate vocal music research, which is no doubt an affirmation of my own profession. Moreover, professional qualities have been strengthened through concert practice. Rapid progress has been achieved in various aspects, such as singing works, the molding of opera characters and the performance of the stage. Finally, the inadequacies of the practice concerts and the difficulties encountered in preparing for the concerts are summarized to strengthen the vocal singing ability and improve the overall stage performance and vocal arts' overall quality. Key words: concert planning singing works stage performanceIII 目录 摘要......................................................................................................................... I ABSTRACT ............................................................................................................... II 导论........................................................................................................................ 1 一、音乐会整体构思及前期筹备工作................................................................... 2 （一）音乐会的整体构思........................................................................................2 （二）音乐会宣传、海报节目单设计....................................................................2 （三）音乐会安排及场地布置................................................................................3 二、音乐会曲目与曲目风格特点.......................................................................... 4 （一）音乐会曲目....................................................................................................4 （二）外国艺术作品风格介绍................................................................................5 （三）中国艺术作品风格介绍................................................................................6 （四）外国歌剧咏叹调风格介绍............................................................................6 （五）中国歌剧咏叹调风格介绍............................................................................6 三、演唱者的实践分析 ......................................................................................... 8 （一）音乐会曲目的演唱分析................................................................................8 （二）音乐会作品对于演唱者的难点..................................................................11 （三）音乐会对于自身专业水平的提高..............................................................13 结语...................................................................................................................... 15 致谢...................................................................................................................... 16