农村社区是非城市居民生活的空间组织形式，它紧密联系着人们生活的各个环节； 经济发展，城乡转变，使传统的农村正在向新农村社区形式迈进，新农村社区居民对精 神诉求的越来越多，而公共艺术利用艺术形态、审美特性对农村精神文明建设起到积极 的塑造与推动作用。 公共艺术“社会性”的承载土壤是社区空间,本文旨在寻求合理的艺术方式来思考 公共艺术在新农村社区建设中的作用与价值，创造适合新农村社区发展的设计思维与形 式结构，使公共艺术在介入新农村社区空间环境的同时改变农村社区建设中审美、文化 缺失现象，对提升新农村社区居民的精神面貌起到积极的推动作用。 全文分四个部分。 第一部分是由第一章节构成，重点阐述公共艺术介入新农村社区的理论意义。 第二部分为绪论与第二章节，主要阐述报告的研究方法，目的，创新点，意义，相 关课题研究。在对基本概念陈述及发展现状分析后，分别对国内外现阶段公共艺术在新 农村社区的发展状况进行比较研究并得出结论，与国外发展相对成熟的社区建设比较， 我国新农村社区建设的程度明显不足，并提出公共艺术介入新农村社区空间的可能性。 第三部分由三、四、五章节组成，是文章重点论述部分。分别从社会基础，即新农 村社区化、居民对公共福利诉求及国家策略角度分析公共艺术介入新农村社区的可能 性；审美特征，即从公共艺术所呈现的美的具体表现形式出发分析公共艺术介入新农村 社区空间可能性；形式表达，公共艺术的表达形式具有多样性，结合现在我国新农村社 区具体情况分析何种公共艺术形式表达适合介入新农村社区空间。 第四部分为第六章节，在理论研究基础上，结合具体案例并作实地考察调研，分析 公共艺术介入新农村社区现实价值。 通过对公共艺术介入新农村社区的研究，使公共艺术作为与公众生活密切相关的造 型艺术语言,对新农村社区居民的精神文明建设起到重要推动作用，同时使公共艺术在 提升新农村社区居民的审美意识和文化品味方面,产生积极的影响。 关键词， 公共艺术；新农村社区； 城乡等值； 可持续发展II Abstract Rural community is the basic component unit of the countryside, which is most important activity space of the urban residents, namely the rural residents, which is closely relate with people's various parts. Both economic development and urban and rural transformation is striding to a new community form from traditional countryside to new rural communities. At the same time, the residents living in new rural communities long for more spiritual pursuit than ever. The Public Art employs its artistic forms and aesthetic features to get into the community space, which plays a positive role on construction of rural spiritual civilization. Because Public Art aim at “people-oriented and serving the public”, which ideal terminal is the community, so the purpose of this paper is to find out better ways to solve the problems of new rural community construction and to seek more suitable creative thinking and model of new rural community development. To create a public space environment and improve visual image via public art for a new community will make up for the lack of rural visual culture and raising farmers' own quality has an important role. This paper is made up of four parts. The first part is made up of the fifth chapter, emphasis on the theoretical significance that public art get involved in the new rural community. The second part is the introduction and the second chapter, mainly elaborated the paper research method, purpose, innovation, significance and related research of this paper. After the statements for the basic concept and analysis for present development situation, making a comparative study respectively about the development status of public art in the new rural community both at home and abroad at present and concludes that, the extent of new rural community construction is short obviously in our country to compare with the foreign relative mature community construction. And put forward the possibility that public art get involved in the new rural community space. The third part is composed of the third chapter, forth chapter and fifth chapter, which is the mainly discusses part in the paper. Respectively from the aspect of social foundation, that is, the new rural communalization, residents appeal to public welfare and national strategy to analysis the possibility of public art get involved in the new rural community; Aesthetic characteristics, that is, from public art presented according to the specific form of expression of beauty of space to analysis the public art get involved in new rural community construction; Form of expression, the diversity of the forms of public art, combined with analysis of China’s new rural communities and circumstances now what kind of public art in the expression is the most suitable for involvement in new rural community space.III The fourth part is the sixth chapter, on the basis of theoretical study, combined with special case and field investigation to analysis the practical value of public art get involved in new rural communities. Through the study of public art in the new rural community, the public art is closely related with the public life of plastic arts, the construction of spiritual civilization of the new rural community residents plays an important role in promoting, at the same time, the public art in the promotion of new rural community residents aesthetic consciousness and cultural taste, have a positive impact. Key word: public art the new rural community equivalence between urban and rural areas the sustainable developmentIV 目录 摘要................................................................................................................................................................I Abstract .......................................................................................................................................................... II 目录...............................................................................................................................................................IV 绪 论...............................................................................................................................................................1 0.1 研究背景与内容..............................................................................................................................1 0.2 研究方法及目的..............................................................................................................................2 0.4 报告学术创新点及撰写难点..........................................................................................................3 0.5 相关概念及理论基础.....................................................................................................................3 第一章 公共艺术介入新农村社区的意义...................................................................................................7 1.1 传承文化的意义..............................................................................................................................7 1.2 美化环境的意义..............................................................................................................................9 1.3 品质生活的意义...........................................................................................................................11 1.4 文明公众的意义...........................................................................................................................11 第二章 新农村社区公共艺术概念及现状分析.........................................................................................13 2.1 基本概念.......................................................................................................................................13 2.1.1 公共艺术概念........................................................................................................................13 2.1.3 新农村社区公共艺术的内涵...............................................................................................16 2.2 新农村社区公共艺术文化的发展现状........................................................................................17 2.2.1 文化传播遭遇瓶颈................................................................................................................17 2.2.2 农村体制的影响....................................................................................................................18 2.2.3 落后的公共设施....................................................................................................................20 2.2.4 发展模式的制约....................................................................................................................22 2.3 国内外案例分析............................................................................................................................23 2.3.1 德国巴伐利亚州“等值化”实验........................................................................................24 2.3.2 南张楼公共艺术分析............................................................................................................26 2.4 小结................................................................................................................................................29 第三章 新农村社区公共艺术的社会基础.................................................................................................30 3.1 农村居住的社区化........................................................................................................................30 3.2 公共福利的诉求............................................................................................................................31 3.3 文化强国的政策...........................................................................................................................34 第四章 新农村社区公共艺术的审美特性.................................................................................................37 4.1 大众与个性...................................................................................................................................37 4.2 通俗与高雅...................................................................................................................................37 4.3 互动与交流...................................................................................................................................39 第五章 新农村社区公共艺术的形式表达.................................................................................................42 5.1 公共雕塑.......................................................................................................................................42 5.1.1 地标雕塑...........................................................................................................................42 5.1.2 中心雕塑...........................................................................................................................45 5.1.3 装饰雕塑...........................................................................................................................46 5.2 公共设施.......................................................................................................................................50 5.2.1 功能设计...........................................................................................................................50 5.2.2 文化设计...........................................................................................................................52 5.3 墙体艺术...............................................................................................................................54V 5.4 装置艺术.......................................................................................................................................56 5.5 多媒体艺术...................................................................................................................................57 第六章 山联村的公共艺术现象.................................................................................................................59 6.1 山联村的背景................................................................................................................................59 6.2 学术与实践的思考........................................................................................................................62 6.3 公共艺术介入新农村社区的社会反响........................................................................................66 6.4 问题与方案....................................................................................................................................68 主要结论与展望...........................................................................................................................................72 致谢...............................................................................................................................................................73